"You are one of us, you paid the registration fee." |
Sequels have often had a bad rep for being poor imitations
of the originals, with 22 Jump Street
truly capitalizing on this common perception by being ridiculously self-mocking,
so it is no surprise that some are quick to condemn the struggling sequel. You
either have the incredibly drawn-out and pointless additions that add nothing
to the series (looking at you The Hangover)
or the rare gem that is the well-constructed sequel; particularly hard to find
in today’s movie climate. When you combine musicals and sequels you have
another thing entirely. Enter stage left: Pitch
Perfect 2.
Aca-arriving in full force, the new feature directed,
produced and starring Elizabeth Banks sees the Bellas suffer an unfortunate
embarrassment at President Obama’s birthday, where Patricia, more commonly
known as ‘Fat Amy’ (Rebel Wilson) exposes herself to the crowd while performing
an aerial routine. Left humiliated, the team are forced into signing up for the
World Championships in order to regain their former glory, led by the eager Chloe
(Brittany Snow). Beca (Anna Kendrick) also begins interning at a local
recording studio. There are a number of new faces along for the adventure, such
as the leaders of ‘Das Sound Machine’, Pieter Kramer (Flula Borg) and Kommissar
(Birgitte Sorensen), a rival German group also competing for the title. Miss
True Grit herself, Hailee Steinfeld also makes an appearance as Emily Junk, an aspiring
songwriter and Bella Legacy.
Character development seems to have been a major focus in
this film, with Beca’s career aspirations being fully explored with the world
of record producing, Chloe’s unwillingness to graduate is questioned and ‘Fat
Amy’ has an intriguing new romance. Kendrick and Wilson have some tender
friendship moments, with both ladies bringing the humour for this female-solidarity
film. Showing off her vocal range is Steinfeld in her role as Emily, a relatively
goofy but positive new recruit whose keen to plug her new song ‘Flashlight’ to
the world. Guatemalan new-comer
Florencia (Chrissie Fit) is particularly impressive with her on-screen
presence, delivering some commendable lines rooted in harsh reality.
The most impressive performances come from Wilson, Kendrick
and new-comers Sorensen and Borg, who are electrifying as the strong-faced and
strangely intriguing German Acapella group. The latter two produce some rather
visually and vocally fierce covers of Muse and Imagine Dragons material that
add a more feisty edge to the clean-cut acapella, and the dialogue between the
two and Kendrick is thoroughly entertaining. Of course, funny commentators Gail
and John are back (portrayed by Elizabeth Banks and John Michael Higgins,
respectively) and their jokes are particularly on point, with Gail’s side-eyed
humour combatting John’s blatant sexism.
Although the story provides excellent development for some
characters, others are left in a stay of disarray, with the quirky Lilly (Hana
Mae Lee) not having nearly as many laugh-out-loud moments, and after a while
the joke (being that she says bizarre things quietly) wears a little thin. Similarly
Stacie Conrad seems to have taken up a position at the side-lines instead of centre
stage, as we see very little of Alexis Knapp’s formidable character.
Arguably, the story is more likeable and cohesive, expanding
the universe of competitive Acapella into international waters, whilst
featuring performances from popular singing groups Pentatonix and Penn Masala.
This offers the opportunity for more intense and diverse sounds from different countries,
and the film delivers some memorable numbers including its own original song ‘Flashlight’.
Musical films often tread a fine line between repetitive singing and actual
dialogue, but Pitch Perfect 2 manages
to create a suitable balance between the two (this one’s no Les Miserables!). However, there are
certain plot points that are not fully developed and could have definitely been
improved, leaving the film feeling a little half-finished.
Not one to end on a sour note, the movie brings the aca-edge
and though it suffers from a few missed high-notes it is a perfectly pleasant
watch, that doesn’t quite possess the X-Factor but still makes for reasonably
satisfying viewing. Despite it not being aca-mazing (we’ll stop now), Pitch Perfect 2 does defy the convention
that sequels are never as good as the originals…just.
No comments:
Post a Comment