"Everyday is the opportunity for a better tomorrow" |
Theme park rides and movies were always going to be an odd
combination; how can something that lasts a mere few minutes ever be translated
into a big screen epic that last two hours? Disney has had some success with Pirates of the Caribbean (you know, the one where Johnny Depp plays an
eccentric hobo pirate), and failures with The
Haunted Mansion (whose only redeemable feature was Inspector Lynley). So amidst
much trepidation, Disney’s latest futuristic feature, Tomorrowland, flies into view, but does it sky rocket to success or
fall to mediocrity?
Starring George Clooney and Britt Robertson, the film
centres on a former boy genius, Frank Walker (Clooney), who teams up with a bubbly
Casey (Robertson), and an animatronic robot girl, Athena (Raffey Cassidy),
travelling to a futuristic dimension (“Tomorrowland”) where actions have severe
consequences. Hugh Laurie also stars as the leader of this strange world, David
Nix. Cassidy and Robertson make an energetic impact on the movie, with the
former’s dead-pan delivery being one of the most memorable moments. Robertson’s
goofy but likeable persona highlights her as one to watch, combining the
rebelliousness and optimism of the character perfectly.
It seems evident that Tomorrowland
is Brad Bird’s baby, a product of passion and creativity with a sense of wistful
optimism that can only come from something so innocent. The message of the film
is an ode to ‘dreamers’, environmentalists and simply those who refuse to be
pessimistic (careful folks, it can kill you apparently!) and this certainly isn’t
a bad mantra to be projecting, giving audiences an opportunity to be
invigorated.
Whilst Tomorrowland is
admirable and ambitious in many aspects, it is weighed down by a certain unevenness
in segments where you know something is going to happen, but it simply takes
too long to do so. The 2 hours 10 minutes running time is vastly overstretched
and the film could be greatly condensed which would garner a stronger impact, one
where the narrative doesn’t lose its way amongst the first act only to be
regained moving into the second.
Despite the few missteps, the film is still strikingly
thought-provoking and innovatively designed, with a beautiful sense of
imagination echoed through the vast landscapes and mesmerizing architecture. Set
designs seemingly straight off a Disney theme park, that are surprisingly not
overly cheesy or ‘fake’, Tomorrowland
sticks to its original roots and shows that adaptations can be spectacular.
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