Sunday, 9 August 2015

Mission: Impossible - Rogue Nation (2015) Review

"Desperate times, desperate measures."

When you think of action spy films, several might come to mind, such as the sophisticated and dashing James Bond or the resourceful and righteous Bourne, but these are a select few who manage to make a considerably strong impact on audiences. Mission: Impossible’s Ethan Hunt ranks up there with one of the more notable, and while the first film achieved minor success, the series has found more steady footing since the release of Ghost Protocol, a stylish and thrilling addition to the franchise. This new level of elevation and class continues with Rogue Nation, featuring beautifully designed action sequences that are reminiscent of the classical spy film, and plenty of sheer sensational scenery that reflects the glitz and glamour of the genre.  


Mission: Impossible – Rogue Nation sees Hunt returning to his day job, more adventurous than ever, and after scaling a plane and intercepting nerve gas being sold by terrorists, the ambitious agent sets his hand at proving the existence of the Syndicate, an international criminal agency. Teaming up once again with partners-in-crime Benji (Simon Pegg) and Luther (Ving Rhames), with IMF agent William Brandt (Jeremy Renner) overseeing the operation, the mission starts off smoothly but quickly descends into chaos (as it usually does), leading CIA director Alan Hunley (Alec Baldwin) to call for the disbandment of the division. Opting instead to be a rogue agent, Hunt continues to hunt down the Syndicate, and suspected head Solomon Lee (Sean Harris), with a little help from his friends and some new faces, including Ilsa Faust (Rebecca Ferguson), an alleged British Agent working undercover in the Syndicate.   


If you want to read the full review, including my thoughts on Rebecca Ferguson's killer role and Simon Pegg's goofy Benji, then you can, over at Concrete online. The link is available below: 

http://www.concrete-online.co.uk/review-mission-impossible-rogue-nation/    


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